FunBlog

is everything Miyazaki makes is now an instant classc? How about Howl’s Moving Castle?

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And BTW, 20 miles is a big deal now? What a whiner. Just move somewhere where they built freeways or something. And be happy it was shown 20 miles away. Tokikake was only shown in LA and NY, 2000 miles away for me.

Ani-Nooto

I’ve never seen Howl’s Moving Castle, so I can’t say whether it’s a classic. All I know is that everyone seems to hate it, which doesn’t encourage me to watch it.

As for Ponyo, I think it does qualify as a classic in the category of children’s movies. Or if it’s too early to say that, I predict that it will come to be considered a classic. The obvious comparison is to Totoro, which most people consider a classic. The two are similar in many ways, including the fact that the endings are too low-key for some adults, but are appropriate to the story and the intended audience.

As for the 20 miles, there are about 10 theaters in that driving radius and only one was showing Ponyo, which I think is a good indication of Disney’s level of commitment to the film. They could have done a lot worse, but they also could have done better.

The sad thing is, I think this is an anime that mainstream Americans could really appreciate, since it’s a really good movie for children. Most Americans can’t accept an animated movie like Princess Mononoke, but they probably would have no problem with this one.

Finally after all these years I got to see a Hayao Miyazaki movie in a theater on a big screen. This mini-review is based on the dubbed version currently in the theaters. When I get hold of the DVD I will probably write a more detailed review with pictures.

Ponyo is a gentle children’s story comparable to My Neighbor Totoro. If you are in the mood for something like that, this is pretty good. The story is supposedly inspired by “The Little Mermaid”, but it has little resemblance to either the Disney version or the grim original story by Hans Christian Anderson.
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Hayao Miyazaki’s second most successful movie (after Spirited Away) is a dark, exciting adventure story that resonates with the power of myth.
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This may not be Hayao Miyazaki’s most profitable film, but it is probably the most beloved. Totoro toys and memorabilia are perennial favorites, and his image appears on the Studio Ghibli logo. The film is a family classic, appealing to even the youngest children, but still interesting to adults.

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Technically this wasn’t made by Studio Ghibli but most people think of it as a Studio Ghibli film, since this was the movie that got the studio started.

Hayao Miyazaki had worked on the 1978 anime TV show Future Boy Conan (director, character designs and storyboards.) This was a lightweight series with a rather simple-minded plot, set in a post-apocalyptic world.

In the early 1980s Miyazaki tried to get funding for an animated feature film that would also have a post-apocalyptic setting but with a more sophisticated story. Unfortunately, no one seemed interested in financing an animated film that was not based on a successful manga or light novel series.

Toshio Suzuki, the editor of Animage magazine, encouraged him to develop the story as a manga, which was serialized in Animage. The manga was a big hit, and suddenly financing for an animated movie became available. The success of the film exceeded all expectations, paving the way for Suzuki, Miyazaki and fellow director Isao Takahata to start Studio Ghibli.

This is one of Miyazaki’s earliest films. I wouldn’t say that it’s his greatest work, but it’s still well worth seeing. Many of the standard trademark elements of a Miyazaki film are visible, including ecological and anti-war themes, dramatic flying sequences, fantastic flying machines and a dynamic young heroine.
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This is probably the most acclaimed anime ever made. It won the 2002 Oscar for Best Animated Feature, the only foreign-language film ever to do so. It is one of the great classics of animation, and if you haven’t seen it you probably should.

This movie shows Hayao Miyazaki at the top of his form. It is a splendid example of the art of storytelling, with a main character who is both believable and captivating. The artwork is absolutely stunning. My screen captures don’t really do it justice; you just have to see it for yourself.
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In 1999 Studio Ghibli was approached by the owners of a theme park who wanted a 20 minute animated short subject featuring cats. Hayao Miyazaki thought it should feature the cat characters from the movie Whisper of the Heart, so he went to Aoi Hiiragi, the author of the original manga, and asked her to write the story. She did, and it was eventually published as a manga called BARON: Neko no Danshaku (Baron: The Cat Baron).

However the deal with the amusement park fell through, so plans to make the anime were put on hold. Miyazaki, who was trying to nurture a new generation of anime directors, started to assign aspiring directors the task of drawing storyboards for the defunct “Cat Project”. A young artist named Hiroyuki Morita produced a massive set of storyboards that was so impressive that he was given the go-ahead to create a full-length movie.

The resulting movie is bound to interest any fan of Whisper of the Heart, even though it is not a sequel to that movie and the style is quite different. WOTH was a fairly realistic coming-of-age story, while this is a classic fairy tale. Aoi Hiiragi thinks of this as a story written by Shizuku, the heroine of the earlier movie, and that’s probably the best way to view it.
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Studio Ghibli is the most prestigious of all anime studios. A small studio founded by acclaimed director Hayao Miyazaki, it primarily does theatrical movies with clever, original screenplays and top-quality animation. Disney has an exclusive deal to import these movies and usually gives them a limited theatrical run.

I can’t say for sure that every Studio Ghibli movie is worth watching, since I haven’t seen all of them, but I’ve been pleased with all the ones that I have watched (and someday I’ll get around to reviewing all of them.)

Whisper of the Heart is one of the less known Studio Ghibli films. It’s a small, simple story, but just about perfectly executed. It could hardly be simpler: a teenaged girl finds her ideal boyfriend, then learns that he is about to move out of the country, and she has to decide how she is going to deal with that. And that’s it; no battles, no explosions, no monsters, not even any magic.

Or maybe there is some magic. (That cat sure looks like he knows more than he’s saying.) Let’s just say that everything has a possible rational explanation. Perhaps the real point is that the heroine has the ability to see the magic underlying ordinary life.

I can’t help comparing this to Revolutionary Road, the last movie I reviewed, not because they are similar but because they are opposites. Revolutionary Road explores the dangers of not having a dream (while thinking that you do.) Whisper of the Heart is about what it really means to have a dream.
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