Bodacious Space Pirates–Anime Early Impressions

OK, we’re getting into pretty silly territory here. Planetes this isn’t. Watching the first episode I found myself making a list of implausibilities, but I had to stop when I ran out of paper.

Just to begin with:

  • It’s hard to imagine circumstances under which space piracy would be a reliable way to make a living.
  • Even if such circumstances existed it hardly seems like something that could be done by students as a part-time job.
  • Even if that were the case, it seems doubtful that space pirates would wear cosplay pirate hats and greatcoats.
  • Skirts don’t work in space. Exceptions may be made for civilizations that have cheap and reliable artificial gravity, but that clearly isn’t the case here.
  • Long hair doesn’t work in space either unless you braid it and tie it back like Princess Leia.

Why am I even worrying about this stuff when obviously the writers know all this and don’t care? Perhaps because the story is delivered in such a deadpan straight-faced manner that it feels like it ought to make sense. Actually that’s probably the right approach. Winking at the audience works fine for a short parody but in a long story it gets irritating. The sillier the premise, the more important it is to play it absolutely straight.
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Inu x Boku SS–Anime Early Impressions

Inu x Boku Secret Service (The Dog and Me Secret Service) seems unlikely to become a great classic but it is still one of the more interesting and unusual shows in a rather weak season. Part of its oddness is due to the fact that though it is a shounen anime (or at least it is based on a shounen manga) it really looks and feels more like a shoujo story.

The mangaka is a woman who goes by the name of “Cocoa Fujiwara,” but that isn’t really the issue. Lots of women write shounen manga and it usually isn’t that different from shounen manga written by men, though perhaps with better-developed female characters and a bit more emphasis on romantic themes. Inu x Boku SS on the other hand, if it had a bit less fan service and the heroine didn’t call herself “boku”, would fit right in if it appeared in a shoujo manga magazine.
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Nisemonogatari–Anime Early Impressions

Nisemonogatari is a sequel to 2009′s Bakemonogatari, a smart, stylish, edgy supernatural comedy that I liked a lot. (“Bakemonogatari” can be translated pretty accurately as “Ghostory.” “Nisemonogatari” is a similar pun in Japanese. Unfortunately I can’t think of an English synonym for “forgery” that ends with “st.”)

The sequel feels a bit edgier. In fact I came close to turning the first episode off in revulsion. However I stuck it out and things got better.
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Animation Oscar Nominations

The Oscar nominations are in. Naturally I went directly to the “Best Animated Feature Film of the Year” category and got a bit of a shock. There was no nomination for The Adventures of Tintin.

Really Hollywood? You honestly believe that Kung Fu Panda 2 was a better movie than Tintin? What have you been smoking? (Don’t answer that.)

Maybe the problem is that the computer-generated animation in Tintin is just too realistic, so people really don’t think of it as an animated movie. But that’s just about the minimum level of realism needed to cross the Uncanny Valley. If people won’t accept it as animation then that doesn’t bode well for the future of CG animation as an art form.
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Natsume Yujin-cho Shi–Anime Early Impressions


So far the 2012 Winter anime season has been rather disappointing. It’s not that everything is terrible, but nothing strikes me as truly new and outstanding. The two best new shows are actually sequels.

Natsume Yujin-cho Shi (Natsume’s Book of Friends 4) is the fourth season of the long-running supernatural drama series. There’s really not much more that I can say about it at this point. It’s still excellent low-key storytelling. Since the stories are pretty self-contained you don’t need to have seen the earlier seasons (though it wouldn’t hurt.)

Crunchyroll is streaming all the Natsume Yujincho episodes in a single channel. The fourth season begins with Episode 40.

The Iron Lady–Movie Review

4 Stars

For a British biopic The Iron Lady is unusually controversial. It’s not that Margaret Thatcher is not a suitable subject for a biopic. I think that any reasonable person would have to acknowledge that she was the most powerful and influential woman of the 20th century, a far more important figure than the subjects of The Queen or The King’s Speech. But perhaps it is a bit early. Thatcher remains such a bitterly divisive figure that any movie about her would be likely to provoke outrage from either those who revere her or those who hate her. This movie, though it is quite well done in many ways, seems to have annoyed both sides.

The movie shows us an elderly Margaret Thatcher (Meryl Streep), old and confused, getting up early to buy milk from the market and make breakfast for her husband Dennis (Jim Broadbent) who has actually been dead for eight years. As we get to know her Margaret seems more haunted than demented. She is aware in principle that Dennis is dead but she can’t stop seeing and hearing him. Of course this leads to a series of flashbacks which contain the meat of the story.

The young Margaret (played in the flashbacks by Alexandra Roach) entered politics believing that the Conservative Party should champion the middle class values that she had learned from her father (Iain Glen) who was a grocer and a small-town political activist. Unfortunately the Conservative Party was run by a bunch of upper class toffs who cared little for middle class values and thought the idea of a young woman running for Parliament was quite amusing. Turning the party into an institution that could be led by a grocer’s daughter was one of the many seemingly insurmountable obstacles that she was to overcome. (Though the fact that the current Prime Minister is a bit of a toff suggests that she was not completely successful.)
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Real Men Call Themselves “Ore”

Fans of my post on Japanese pronouns will be interested in Kaori Shoji’s article on pronoun usage in the contemporary Japanese dating scene.

She describes an ojou-sama who can’t stand men who call themselves “ore” (and would never permit anyone to call her “omae”.) But another woman confesses that she keeps falling for ore-users after having divorced a man who called himself “boku.”

The consensus seems to be that boku-users are boring indecisive “grass-eaters,” while ore-users are exciting, sexy and dangerous.

Cyberglasses Coming Soon?

Fans of Dennou Coil may be able to buy a working pair of cyberglasses sooner than they expected. The “SmartGoggles” just announced by Sensics at CES appear to have all the capabilities that one would expect from cyberglasses, including cameras that let it respond to your hand gestures.

OK, so obviously these things are a lot bulkier and more obtrusive than Dennou Coil‘s cyberglasses, but maybe if we allow a few more years for miniaturization?

The Artist–Movie Review

5 Stars

The Artist is not a movie for everyone. Many people are going to stop reading as soon as they realize that this is a silent movie. And yes, if you think that silent movies are just defective versions of modern movies then you might as well stop reading now.

On the other hand if you recognize that silent movies are (or were) a distinct art form in their own right, then this is worth your time. It is really, really well done. It must have taken Michel Hazanavicius a great deal of effort to master the techniques of this almost-forgotten art form, but he has succeeded and the result can stand up with the best of them. (Mel Brooks tried something similar in 1976, but that was just a parody. This is on a much higher level.)

The suitably melodramatic story introduces us to George Valentin (Jean Dujardin), a phenomenally successful silent movie star in the late 1920s. One day he gives some much-needed encouragement to Peppy Miller (Bérénice Bejo) an ambitious young actress. He helps her get a walk-on role in one of his films. Starting from that she works her way up to stardom. When the talkies arrive she makes the transition with spectacular success

George on the other hand fails to make the transition. He ends up financially ruined, abandoned by his wife and friends, abandoned indeed by everyone except for his faithful dog (Uggie). But two people have not forgotten him: his former chauffeur (James Cromwell) and Peppy Miller.

Of course this is only playing in a few art houses, but if you are at all interested in this sort of thing it is worth checking out.