
Studio Ghibli is the most prestigious of all anime studios. A small studio founded by acclaimed director Hayao Miyazaki, it primarily does theatrical movies with clever, original screenplays and top-quality animation. Disney has an exclusive deal to import these movies and usually gives them a limited theatrical run.
I can’t say for sure that every Studio Ghibli movie is worth watching, since I haven’t seen all of them, but I’ve been pleased with all the ones that I have watched (and someday I’ll get around to reviewing all of them.)
Whisper of the Heart is one of the less known Studio Ghibli films. It’s a small, simple story, but just about perfectly executed. It could hardly be simpler: a teenaged girl finds her ideal boyfriend, then learns that he is about to move out of the country, and she has to decide how she is going to deal with that. And that’s it; no battles, no explosions, no monsters, not even any magic.
Or maybe there is some magic. (That cat sure looks like he knows more than he’s saying.) Let’s just say that everything has a possible rational explanation. Perhaps the real point is that the heroine has the ability to see the magic underlying ordinary life.
I can’t help comparing this to Revolutionary Road, the last movie I reviewed, not because they are similar but because they are opposites. Revolutionary Road explores the dangers of not having a dream (while thinking that you do.) Whisper of the Heart is about what it really means to have a dream.
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Original TitleMimi wo Sumaseba (If you listen closely)
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GenresRomance, Coming of Age
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LanguagesEnglish, Japanese with subtitles
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DemographicShoujo
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Contents111 minutes plus bonus material in a 2-DVD set.
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Based onA manga by Aoi Hiiragi
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DirectorYoshifumi Kondou
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ScreenplayHayao Miyazaki
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StoryboardHayao Miyazaki
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Character DesignKitarou Kousaka
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Art DirectorSatoshi Kuroda
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Animation DirectorKitarou Kousaka
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MusicYuuji Nomi
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Animation StudioStudio Ghibli
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Released1995
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Region 1 PublisherWalt Disney Home Entertainment
Parental Advisory
Disney knows the American animation market as well as anyone, and they clearly think that they can sell the most DVDs by convincing parents to buy this for their small children. The DVD cover art shows a scene that is not in the movie at all and makes Shizuku look about 6 years old.
Now there’s no reason not to let a six-year-old watch this. It’s gentle and non-threatening. Small children will probably enjoy watching it, even if they don’t fully understand it. They’ll like it but they probably won’t love it.
Still, the main characters are in their mid-teens and have teenage concerns. This story will probably resonate most with viewers whose ages are in the double digits. It’s regrettable that the older children and teenagers who might enjoy the move most are likely to be repelled by the way it is marketed.
Premise and Characters
studying for her high-school entrance exams. (Which means she must be 15 or nearly so at the beginning of the story, but she is small for her age, and drawn young-looking in the usual Studio Ghibli style.) She loves fairy tales and fantasy stories, but lately they don’t seem as real to her, which sometimes makes her feel grumpy and depressed.
She seems to have a talent for poetry, and has been commissioned by the Music Club to translate the lyrics of Country Roads into something that can be sung in Japanese. (She ends up taking a few liberties.)
Shizuku lives with her family in the outskirts of Tokyo in a small, messy apartment overflowing with books.
Her father Seiya Tsukishima is a librarian. He is an easy-going, bookish fellow.
Asako Tsukishima, her mother, has gone back to graduate school and is absorbed in research for her thesis.
Her older sister Shiho is a college student, and is bossy and intrusive.
Shizuku notices that most of the books that she checks out of the library have been previously checked out by someone named Seiji Amasawa. She wonders about this mysterious person who seems to like all the same books that she does.
Shizuku’s best friend Yuuko Harada has boy trouble.
She has a crush on Sugimura, who is barely aware of her existence.
Shizuku keeps running into a good-looking but annoying boy, who acts interested in the books she is reading and who teases her about her poetry. He couldn’t possibly be the mysterious Seiji Amasawa could he? Naah!
One day she takes the train to the library and notices a big, fat cat with a misanthropic expression, who is also riding alone on the train.
The cat gets off the train at the same stop that she does. Intrigued, she follows it and is led to a strange little shop called The World Emporium, which is filled with wonderful objects.
Shiro Nishi, the owner, is a cheerful old man who invites her to look around.
Mr Nishi shows her an old grandfather clock that he has been repairing.
It contains clockwork figures that enact a fairy tale about a dwarf king who loves a fairy princess but can never be with her.
Baron Humbert von Jechingen is an elegant cat figure with sparkling eyes.
DVD Notes
The subtitle translation takes a few liberties but for the most part seems reasonable. My only real objection is that is sometimes makes Shizuku sound rather pompous. At one point it has her saying “I’m no man’s burden!” when the original Japanese is more like “I don’t want to just be your luggage!”, which in context seems more natural and expressive.
The English dub naturally has some tonal differences from the original. It’s just about impossible for American actors get the cultural nuances right. Nevertheless it is significantly better than the usual slapdash dub on a typical anime DVD. Disney knows more about how to dub animation than most American anime publishers.
I recommend listening to the Japanese soundtrack with subtitles, if only to hear Youko Honna sing Country Roads in Japanese. That’s definitely worth hearing at least once (but maybe not too often.)
Links
ANN Encyclopedia entry.
Wikipedia entry (spoilers.)
